Assess the advantages and disadvantages of stakeholder analysis as a model for understanding how film festivals operate. Please explore with reference to a specific film festival/film festivals of your choice. Further Reading:Cheung, Ruby (2010). Funding Models of Themed Film Festivals. Film Festival Yearbook 2: Film Festivals and Imagined Communities. Eds. Dina Iordanova with Ruby Cheung. St. Andrews: St. Andrews Film Studies. pp74103. Fischer, Alex (2013). Sustainable Projections: Concepts in Film Festival Management. St Andrews: St Andrews Film Studies. Iordanova, Dina (2010). Mediating Diaspora: Film Festivals and Imagined Communities. Film Festival Yearbook 2: Film Festivals and Imagined Communities. Eds. Dina Iordanova with Ruby Cheung. St. Andrews: St. Andrews Film Studies. pp.12-44. Iordanova, Dina with Ruby Cheung, eds. (2010). Film Festival Yearbook 2: Film Festivals and Imagined Communities. St. Andrews: St. Andrews Film Studies. Loist, Skadi (2011). Precarious Cultural Work: About the Organization of (Queer) Film Festivals. Screen 52:2: 268273. Rhyne, Ragan (2009). Film Festival Circuits and Stakeholders. Film Festival Yearbook 1: The Festival Circuit. Eds. Dina Iordanova, and Ragan Rhyne. St. Andrews: St. Andrews Film Studies. pp. 939. Richards, Stuart (2016). The Queer Film Festival: Popcorn and Politics. New York: Palgrave Macmillan. Rling, Charles-Clemens (2009). Festivals as Field-Configuring Events: The Annecy International Animated Film Festival and Market. Film Festival Yearbook 1: The Festival Circuit. Eds. Dina Iordanova with Ragan Rhyne. St. Andrews: St. Andrews Film Studies. pp. 4966. Rling, Charles-Clemens and Jesper Strandgaard Pedersen (2010). Film Festival Research from an Organizational Studies Perspective. Scandinavian Journal of Management 26:3: 318323.
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